SATB choral adaptation of the Adagio from Beethoven’s Emperor Piano Concerto No. 5, Op. 73, one of the composer’s most tranquil and introspective works.

SATB choral arrangement of Bach/Gounod’s Ave Maria, based on the Prelude No. 1 in C major, BWV 846.

SATB arrangement based on Schubert’s Ellens Gesang III, D. 839, preserving the lyrical grace and heartfelt devotion of the original.

SATB choral setting of Edward Elgar’s Nimrod, aspiring to peace, hope, and unity.

SATB choral arrangement of Edvard Grieg’s The Death of Åse from Peer Gynt. Expressive and solemn, transforming the orchestral lament into a plea for mercy and compassion.

SATB arrangement of Pietro Mascagni’s Intermezzo, incorporating the opening choral lines of the “Easter Hymn.” Luminous and expressive, offering a radiant prayer of joy and renewal.

SATB choral setting of the renowned aria, also known as Handel’s Largo, from the opera Serse. Serene lyricism preserved in a warm, reverent choral texture.

Double-choir (SATB / SATB) divisi choral setting of César Franck’s beloved work, richly devotional.

SATB choral setting of Schubert’s Impromptu No. 3 from Op. 90 (D. 899). Gentle radiance reflecting themes of light and eternity.

SATB choral setting of the Adagio from Mozart’s Clarinet Concerto in A major, K. 622. Poised, ethereal, and transcendent.

SATB choral transcription of J. S. Bach’s Air on the G String from Orchestral Suite No. 3, BWV 1068. Calm, flowing, and devotional.